Main Menu

Degrees of Transparency (2025) [ALBUM - Unsounds U86]

Reconsidering Aural Imagination through Ana María Ochoa Gautier’s Aurality (Forthcoming, 2025) [ESSAY - American Music Journal Vol. 43/1]

Rhythm, Presence, Voice (2024) [WORK FOR PIANO QUINTET - premiered by Maurice String Quartet and Reinier van Houdt at Echonance Festival in Amsterdam] 

Degrees of Transparency (2024) [WORK FOR PIANO AND ELECTRONIC MEDIA – Current version premiered at Echonance Festival in Amsterdam]

Sound Relationality Anew (2024) [ESSAY – Kunstlicht Journal Vol. 45 1/2]  


 Listening Technicities (2024) [TALK – Oscillations Festival, Q-O2, Brussels ]


Photo: T. Onorato & N. Krebs

Adjacent Sound (2022) [ALBUM - Unsounds U86]


Listening Pluralities (2022) [TALK – Artistic Research Research Group, Netherlands Institute for Cultural Analysis] 

Plural Grounds: Engaging with the Audible (2021) [TALK – Nordic Young Music Days, Aarhus] 


Video Still: S. Diaz Morales

Sound Theory (The Clouds) (2021) [FOR VIOLONCELLO, SOUNDTRACK, TAPE PLAYER, MULTIPLE LOUDSPEAKER SETUP, VIDEO AND LIVE-VIDEO] 

The Construction of an Imaginary Acoustic Space (2021) [FOR ENSEMBLE AND SOUNDTRACK IN THREE STEREO SETUPS]


Focus (2017-2023) [SOUND INSTALLATION]


Transformations of the Audible (2019) [SYMPOSIUM – Leiden University, Hogeschool der Kunsten Den Haag, West Den Haag]


Photo: Dana LaMonda

Imagination, perceptual engagement, and sound mediation: 

Thinking technologically-produced sound through simondon’s concept of the image (2018) [TALK – Philosophy of Human-Technology Relations International Conference, DesignLab, University of Twente]  


Distance/Fiction (2018) [SOUND INSTALLATION]


List of Previous Works