Full list of Works
Sound Theory (The Clouds) (2021)
for violoncello, multichannel soundtrack, specially purposed loudspeaker setup, video and live-video
Realised thanks to a Digital Culture fund by the Nederlands Stimulerings Fonds
The Construction of an Imaginary Acoustic Space (2019)
for ensemble, soundtrack and tape player
Commissioned by the Österreichisches ensemble für neue musik. Premiered January 19th 2019, Universität Mozarteum Solitär (Salzburg)
Distance / Fiction (2018)
Installed throughout November 2018-January 2019 at P.J.Veth Exhibition Space - Leiden University (Leiden, NL)
for Theorbo and 5-channel soundtrack
Commissioned by Ciclo de Conciertos de Música Contemporánea - CTBA
Premiered by Hernan Vives in November 17th, 2017 - Sala Cunil Cabanillas (Bs.As. - Argentina)
Commissioned by November Music Festival 2017. Installed at Willem Twee Kunstruimte in Den Bosch (NL), November 6-12, 2017. An earlier version of the project, titled “A study in focus” was installed in February 2015 as part of “Nearly Not There” organised by DNK in W139, Warmoesstraat 139, Amsterdam.
The first developments towards this work were developed within a residency in Q-O2, in 2014.
Violin and multiple loudspeaker system/multiple media instances
Written for Ekkehard Windrich / Premiere at Sonic Acts Festival 2015, Amsterdam
The development of this work has been generously supported by STEIM and NFPK
Disyunción (2013, rev. 2021)
for solo violoncello
Commissioned by Fundación Musica AntiquaNova for Francesco Dillon, premiered in 2014 in Choele Choel - Festival Distat Terra (Argentina)
Recorded Space (2013)
for Fl, 2vln, Dbass, Harpsichord and soundtrack on 6 loudspeakers
Commissioned by November Music Festival for Ensemble 306, premiered in Den Bosch 2013,
Registers of listening (2012) - 20’ for Hn, Gtr, Harp, Piano, 3 cassette players and 8 loudspeakers
Commissioned by Rank Ensemble. Premiered at Musikkitalo, 2012…
Sound questions (2012) - 5’
Electronic soundtrack, 4 channels
Premiered at November Music 2012
3 short pieces for Reinaldo Laddaga’s audio book project: “Things that a mutant needs to know. 1. More short and amazing tales" (2012)
Published in Unsounds Records
Adjacent sound (Biffures) (2012) - 18’
for ensemble and soundtrack on 6 loudspeakers
For Modelo62 ensemble. Premiered at Gaudeamus Festival 2012
Affectio (2012, rev. 2019) - 15’
electronic soundtrack, 8 channels
Premiered at November Music 2012. Revised version performed at the GRM… 2019…
El Mismo (2011) 6’
for piano and stereo soundtrack
De los ojos abiertos (2011)
for viola and variable channel soundtrack
Written for Alexander Bruck Santos
Hablar no es ver (2009) 15'
for four percussionists and soundtrack
Comissioned by Slagwerk Den Haag
Fragmento / Creencia (2008) 7'
Composed for the and/OAR label for the Michelangelo Antonioni Hommage project
Distancia (efectos de superficie) (2008) 10’
for vln, cl, perc, piano and beat-boxer
Commissioned by the Warsaw Autumn 2008 festival
Situación (2007/rev. 2016) 11’
for clarinet, violín, violoncello and piano
Commissioned by the Ciclo de Música Contemporánea 2007 del Teatro San Martín de Buenos Aires
Dislabia o tierra (2007) 18’
for large ensemble and soundtrack
Commissioned by the Gaudeamus Foundation - Premiered by the ASKO ensemble on september 2007 at the Gaudeamus Festival, Amsterdam.
Resquicios/Casa (2006) 12'
for double bass solo
for Facundo Ordoñez - Premier of preliminary version on December 2006 at Espacio Ecléctico, Buenos Aires
Los Anhelos (2006) 10'
for piano and ensemble
Premiered december in 2006 at the Centro Nacional de la Musica by Ensemble Sonorama, conducted by Eduardo Moguillansky
Res Extensa (2005) 40'
Electronic soundtrack (stereo) / 6 channel sound installation
Premiered in October 2005 in Especio Ecléctico (Buenos Aires). Awarded the Gaudeamus 2006 composition prize. Premiered in Europe at Muziekgebouw aan’t Ij, Amsterdam - September 2006.
Cuando ya no importe (2005) 16'
for three clarinets
Premiered at the Ciclo Nuevas Músicas at the Palais de Glace in Buenos Aires by Federico Landaburu, Ivan Barenboim and David Lerithier
Abrir los ojos es romperse por el centro (2005) (ad hoc project) 15'
for ensemble and electronics
Rompes contra el suelo (2004) 11'
Fl, Ob, Cl, Vln, Vcl, Cb, Perc and soundtrack
Premierd by Kammerensemble Neue Musik Berlin on september de 2004 at the Podewil, Berlin.
Que ocupa un rectángulo de agua quemada (2004-2006) 15'
Cl and 4 channel soundtrack.
Premiered by Federico Landaburu at the Centro Cultural de España en Buenos Aires
Esa extraña fruta (2003) 13'
Cl, Tbn, Vln, Cb, Perc, Piano and soundtrack
Written and premiered within the “Instantaneas” residence project at the CETC in 2003
Otilinas (2000) 35’
For voice, cl, sax, cb, gtr, perc, pno
For improvising ensemble, premiered at Experimenta 2000 festival in Buenos Aires by the Gabriel Paiuk Ensemble (Federico Landaburu, clarinet - Maia Monaco, voice - Luis Conde, Saxos - Marcos Cifuentes, contrabass - Hernan Vives, guitar - Gabriel Paiuk, Piano)